Conservation Renews Paintings of Founding Fathers by American Artist Gilbert Stuart

Painting conservator Joanna Dunn removes varnish, which had yellowed with age, as she restores a Gilbert Stuart painting of Luke White at the National Gallery of Art's Painting Conservation Lab in Washington. AP Photo/Jacquelyn Martin.

Sixteen paintings by American artist Gilbert Stuart of some of the nation’s founding fathers and other figures are showing their true colors for the first time in decades through a major conservation project at the National Gallery of Art.

The project is restoring the original appearance of Stuart’s portraits of people including presidents George Washington and John Adams. Gallery conservators have been painstakingly removing yellowed varnish from Stuart’s paintings to reveal true flesh tones and clothing colors that had been hidden by a discolored old protective coating.

Conservators told The Associated Press the work may reveal some new discoveries about Stuart’s work. His “Vaughan-Sinclair” portrait of the nation’s first president from 1795 may actually be a more finished painting from an earlier time than originally thought. It will likely draw interest from Stuart researchers, they said.

You can read the full article via ArtDaily here. 

You Might Also Like...
Ellsworth Kelly, Colored Paper Image III (Blue Black Curves), 1976. Colored and pressed paper pulp, sheet (irregular): 81.92 x 117.48 cm (32 1/4 x 46 1/4 in.). National Gallery of Art, Washington, Gift of Professional Art Group I© Ellsworth Kelly.
The National Gallery of Art presents Ellsworth Kelly: Colored Paper Images, a series that includes 23 paper-pulp works by the seminal American artist. Drawn entirely from the Gallery's collection, the ...
READ MORE
Joseph Anthony, Jr., ca. 1795–98 Gilbert Stuart (American, 1755–1828) Oil on canvas
Art conservation is a painstaking process—just ask Joanna Dunn of the National Gallery of Art in Washington, D.C., where she works tedious hours wiping a solvent-soaked cotton ball across a ...
READ MORE
In this Nov. 6, 2002, file photo Michelangelo's "David-Apollo" is bathed in light at the Art Institute of Chicago. The sculpture goes on view Thursday, Dec. 13, 2012, at the National Gallery of Art in Washington. The sculpture, from the year 1530, is on loan from the Museo Nazionale del Bargello in Florence, and was last shown in the U.S. capital in 1949 when it drew nearly 800,000 visitors. It was also a centerpiece for those who attended President Harry Truman's inaugural reception at the gallery. AP Photo/Brandi Jade Thomas, File.
This morning at the National Gallery of Art, Italian Minister of Foreign Affairs Giulio Terzi di Sant'Agata opens 2013—The Year of Italian Culture by unveiling Michelangelo's David-Apollo, which will be ...
READ MORE
Karen Mallet stands in front of her Alexander Calder print in her Shorewood, Wis., home. Mallet bought the print for $12.34 at a Goodwill thrift store in Milwaukee. It turned out to be a lithograph by the American artist Alexander Calder worth $9,000. AP Photo/Morry Gash.
"Red Nose" just meant a reindeer named Rudolph to Karen Mallet until she bought a print by that name for $12.34 at a Goodwill store in Milwaukee. It turned out ...
READ MORE
Jan Asselijn (Dutch, c. 1610–1652), The Tiber River with the Ponte Molle at Sunset, c. 1650. Oil on canvas, 41.2 x 54 cm (16 1/4 x 21 1/4 in.). National Gallery of Art, Washington, Florian Carr Fund, New Century Fund, Nell and Robert Weidenhammer Fund.
At its recent meeting in October, the Board of Trustees of the National Gallery of Art accepted an impressive array of new acquisitions, augmenting the collections of paintings, sculptures, drawings, ...
READ MORE
George Bellows, New York, 1911. Oil on canvas, 42 x 60 in. (106.7 x 152.4 cm). National Gallery of Art, Washington, Collection of Mr. and Mrs. Paul Mellon. Image courtesy of the Board of Trustees, National Gallery of Art, Washington.
George Bellows (1882–1925) was regarded as one of America’s greatest artists when he died, at the age of 42, from a ruptured appendix. His early fame rested on his powerful ...
READ MORE
Exhibition view Dan Flavin – Lights, mumok. The Estate Collection David Zwirner. Photo: mumok© Stephen Flavin/VBK Wien, 2012.
In the early 1960s, US artist Dan Flavin (1933–1996) began using commercially available fluorescent tubes in standard sizes and colours to create an unmistakable oeuvre. Therein precision and careful calculation ...
READ MORE
Romare Bearden, Home to Ithaca, 1977, Collage, Courtesy Mount Holyoke College Art Museum, South Hadley, Massachusetts. Gift of the estate of Eileen Paradis Barber (Class of 1929).
The first full-scale presentation outside of New York of Romare Bearden's "Odysseus Series" debuted at Reynolda House Museum of American Art on October 13, 2012. "Romare Bearden: A Black Odyssey" ...
READ MORE
Ellsworth Kelly’s Colored Paper Images Featured at National
Conservation Brings About a New Face
Michelangelo’s David-Apollo Returns to the National Gallery of
$12 Dollar Artwork Bought at Goodwill Store is
National Gallery of Art Acquires Major Works by
Comprehensive Retrospective of George Bellows on View at
First Representative Overview of Dan Flavin’s Light Works
American Artist Romare Bearden’s “Black Odyssey” Debuts at

Be Sociable, Share!
This entry was posted in Art, Art News and tagged , , , , , , . Bookmark the permalink.

Leave a Reply

Your email address will not be published. Required fields are marked *

*

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>